ZITA
by Arturo B. Rotor
TURONG
brought him from Pauambang in his small sailboat, for the coastwise steamer did
not stop at any little island of broken cliffs and coconut palms. It was almost
midday; they had been standing in that white glare where the tiniest pebble and
fluted conch had become points of light, piercing-bright--the municipal
president, the parish priest, Don Eliodoro who owned almost all the coconuts,
the herb doctor, the village character. Their mild surprise over when he spoke
in their native dialect, they looked at him more closely and his easy manner
did not deceive them. His head was uncovered and he had a way of bringing the
back of his hand to his brow or mouth; they read behind that too, it was not a
gesture of protection. "An exile has come to Anayat… and he is so young,
so young." So young and lonely and sufficient unto himself. There was no
mistaking the stamp of a strong decision on that brow, the brow of those who
have to be cold and haughty, those shoulders stooped slightly, less from the
burden that they bore than from a carefully cultivated air of unconcern; no
common school-teacher could dress so carelessly and not appear shoddy.
They
had prepared a room for him in Don Eliodoro's house so that he would not have
to walk far to school every morning, but he gave nothing more than a glance at
the big stone building with its Spanish azotea, its arched doorways, its flagged
courtyard. He chose instead Turong's home, a shaky hut near the sea. Was the
sea rough and dangerous at times? He did not mind it. Was the place far from
the church and the schoolhouse? The walk would do him good. Would he not feel
lonely with nobody but an illiterate fisherman for a companion? He was used to
living alone. And they let him do as he wanted, for the old men knew that it
was not so much the nearness of the sea that he desired as its silence so that
he might tell it secrets he could not tell anyone else.
They
thought of nobody but him; they talked about him in the barber shop, in the
cockpit, in the sari-sari store, the way he walked, the way he looked at you,
his unruly hair. They dressed him in purple and linen, in myth and mystery, put
him astride a black stallion, at the wheel of a blue automobile. Mr. Reteche?
Mr. Reteche! The name suggested the fantasy and the glitter of a place and
people they never would see; he was the scion of a powerful family, a poet and
artist, a prince.
That
night, Don Eliodoro had the story from his daughter of his first day in the
classroom; she perched wide-eyed, low-voiced, short of breath on the arm of his
chair.
"He
strode into the room, very tall and serious and polite, stood in front of us
and looked at us all over and yet did not seem to see us.
"
'Good morning, teacher,' we said timidly.
"He
bowed as if we were his equals. He asked for the fist of our names and as he
read off each one we looked at him long. When he came to my name, Father, the
most surprising thing happened. He started pronouncing it and then he stopped
as if he had forgotten something and just stared and stared at the paper in his
hand. I heard my name repeated three times through his half-closed lips, 'Zita.
Zita. Zita.'
"
'Yes sir, I am Zita.'
"He
looked at me uncomprehendingly, inarticulate, and it seemed to me, Father, it
actually seemed that he was begging me to tell him that that was not my name,
that I was deceiving him. He looked so miserable and sick I felt like sinking
down or running away.
"
'Zita is not your name; it is just a pet name, no?'
"
'My father has always called me that, sir.'
"
'It can't be; maybe it is Pacita or Luisa or--'
"His
voice was scarcely above a whisper, Father, and all the while he looked at me
begging, begging. I shook my head determinedly. My answer must have angered
him. He must have thought I was very hard-headed, for he said, 'A thousand
miles, Mother of Mercy… it is not possible.' He kept on looking at me; he was
hurt perhaps that he should have such a stubborn pupil. But I am not really so,
Father?"
"Yes,
you are, my dear. But you must try to please him, he is a gentleman; he comes
from the city. I was thinking… Private lessons, perhaps, if he won't ask too
much." Don Eliodoro had his dreams and she was his only daughter.
Turong
had his own story to tell in the barber shop that night, a story as vividly
etched as the lone coconut palm in front of the shop that shot up straight into
the darkness of the night, as vaguely disturbing as the secrets that the sea
whispered into the night.
"He
did not sleep a wink, I am sure of it. When I came from the market the stars
were already out and I saw that he had not touched the food I had prepared. I
asked him to eat and he said he was not hungry. He sat by the window that faces
the sea and just looked out hour after hour. I woke up three times during the
night and saw that he had not so much as changed his position. I thought once
that he was asleep and came near, but he motioned me away. When I awoke at dawn
to prepare the nets, he was still there."
"Maybe
he wants to go home already." They looked up with concern.
"He
is sick. You remember Father Fernando? He had a way of looking like that, into
space, seeing nobody, just before he died."
Every
month there was a letter that came for him, sometimes two or three; large, blue
envelopes with a gold design in the upper left hand comer, and addressed in
broad, angular, sweeping handwriting. One time Turong brought one of them to
him in the classroom. The students were busy writing a composition on a subject
that he had given them, "The Things That I Love Most." Carelessly he
had opened the letter, carelessly read it, and carelessly tossed it aside. Zita
was all aflutter when the students handed in their work for he had promised
that he would read aloud the best. He went over the pile two times, and once
again, absently, a deep frown on his brow, as if he were displeased with their
work. Then he stopped and picked up one. Her heart sank when she saw that it
was not hers, she hardly heard him reading:
"I
did not know any better. Moths are not supposed to know; they only come to the
light. And the light looked so inviting, there was no resisting it. Moths are
not supposed to know, one does not even know one is a moth until one's wings
are burned."
It
was incomprehensible, no beginning, no end. It did not have unity, coherence,
emphasis. Why did he choose that one? What did he see in it? And she had worked
so hard, she had wanted to please, she had written about the flowers that she
loved most. Who could have written what he had read aloud? She did not know
that any of her classmates could write so, use such words, sentences, use a
blue paper to write her lessons on.
But
then there was little in Mr. Reteche that the young people there could
understand. Even his words were so difficult, just like those dark and
dismaying things that they came across in their readers, which took them hour
after hour in the dictionary. She had learned like a good student to pick out
the words she did not recognize, writing them down as she heard them, but it
was a thankless task. She had a whole notebook filled now, two columns to each
page:
esurient greedy.
Amaranth a flower that never fades.
peacock a large bird with lovely gold and
green feathers.
Mirash
The
last word was not in the dictionary.
And
what did such things as original sin, selfishness, insatiable, actress of a
thousand faces mean, and who were Sirse, Lorelay, other names she could not
find anywhere? She meant to ask him someday, someday when his eyes were kinder.
He
never went to church, but then, that always went with learning and education,
did it not? One night Bue saw him coming out of the dim doorway. He watched
again and the following night he saw him again. They would not believe it, they
must see it with their own eyes and so they came. He did not go in every night,
but he could be seen at the most unusual hours, sometimes at dusk, sometimes at
dawn, once when it was storming and the lightning etched ragged paths from
heaven to earth. Sometimes he stayed for a few minutes, sometimes he came twice
or thrice in one evening. They reported it to Father Cesareo but it seemed that
he already knew. "Let a peaceful man alone in his prayers." The
answer had surprised them.
The
sky hangs over Anayat, in the middle of the Anayat Sea, like an inverted
wineglass, a glass whose wine had been spilled, a purple wine of which Anayat
was the last precious drop. For that is Anayat in the crepuscule, purple and
mellow, sparkling and warm and effulgent when there is a moon, cool and heady
and sensuous when there is no moon.
One
may drink of it and forget what lies beyond a thousand miles, beyond a thousand
years; one may sip it at the top of a jagged cliff, nearer peace, nearer God,
where one can see the ocean dashing against the rocks in eternal frustration,
more moving, more terrible than man's; or touch it to his lips in the lush
shadows of the dama de noche, its blossoms iridescent like a thousand
fireflies, its bouquet the fragrance of flowers that know no fading.
Zita
sat by her open window, half asleep, half dreaming. Francisco B. Reteche; what
a name! What could his nickname be. Paking, Frank, Pa… The night lay silent and
expectant, a fairy princess waiting for the whispered words of a lover. She was
not a bit sleepy; already she had counted three stars that had fallen to earth,
one almost directly into that bush of dama de noche at their garden gate, where
it had lighted the lamps of a thousand fireflies. He was not so forbidding now,
he spoke less frequently to himself, more frequently to her; his eyes were
still unseeing, but now they rested on her. She loved to remember those moments
she had caught him looking when he thought she did not know. The knowledge came
keenly, bitingly, like the sea breeze at dawn, like the prick of the rose's
thorn, or--yes, like the purple liquid that her father gave the visitors during
pintakasi which made them red and noisy. She had stolen a few drops one day,
because she wanted to know, to taste, and that little sip had made her head
whirl.
Suddenly
she stiffened; a shadow had emerged from the shrubs and had been lost in the
other shadows. Her pulses raced, she strained forward. Was she dreaming? Who
was it? A lost soul, an unvoiced thought, the shadow of a shadow, the prince
from his tryst with the fairy princess? What were the words that he whispered
to her?
They
who have been young once say that only youth can make youth forget itself; that
life is a river bed; the water passes over it, sometimes it encounters
obstacles and cannot go on, sometimes it flows unencumbered with a song in
every bubble and ripple, but always it goes forward. When its way is obstructed
it burrows deeply or swerves aside and leaves its impression, and whether the
impress will be shallow and transient, or deep and searing, only God
determines. The people remembered the day when he went up Don Eliodoro's house,
the light of a great decision in his eyes, and finally accepted the father's
request that he teach his daughter "to be a lady."
"We
are going to the city soon, after the next harvest perhaps; I want her not to
feel like a 'provinciana' when we get there."
They
remembered the time when his walks by the seashore became less solitary, for
now of afternoons, he would draw the whole crowd of village boys from their
game of leapfrog or patintero and bring them with him. And they would go home
hours after sunset with the wonderful things that Mr. Reteche had told them,
why the sea is green, the sky blue, what one who is strong and fearless might
find at that exact place where the sky meets the sea. They would be flushed and
happy and bright-eyed, for he could stand on his head longer than any of them,
catch more crabs, send a pebble skimming over the breast of Anayat Bay
farthest.
Turong
still remembered those ominous, terrifying nights when he had got up cold and
trembling to listen to the aching groan of the bamboo floor, as somebody in the
other room restlessly paced to and fro. And his pupils still remember those
mornings he received their flowers, the camia which had fainted away at her own
fragrance, the kampupot, with the night dew still trembling in its heart;
receive them with a smile and forget the lessons of the day and tell them all
about those princesses and fairies who dwelt in flowers; why the dama de noche
must have the darkness of the night to bring out its fragrance; how the petals
of the ylang-ylang, crushed and soaked in some liquid, would one day touch the
lips of some wondrous creature in some faraway land whose eyes were blue and
hair golden.
Those
were days of surprises for Zita. Box after box came in Turong's sailboat and
each time they contained things that took the words from her lips. Silk as
sheer and perishable as gossamer, or heavy and shiny and tinted like the sunset
sky; slippers with bright stones which twinkled with the least movement of her
feet; a necklace of green, flat, polished stone, whose feel against her throat
sent a curious choking sensation there; perfume that she must touch her lips
with. If only there would always be such things in Turong's sailboat, and none
of those horrid blue envelopes that he always brought. And yet--the Virgin have
pity on her selfish soul--suppose one day Turong brought not only those letters
but the writer as well? She shuddered, not because she feared it but because
she knew it would be.
"Why
are these dresses so tight fitting?" Her father wanted to know.
"In
society, women use clothes to reveal, not to hide." Was that a sneer or a
smile in his eyes? The gown showed her arms and shoulders and she had never
known how round and fair they were, how they could express so many things.
"Why
do these dresses have such bright colors?"
"Because
the peacock has bright feathers."
"They
paint their lips…"
"So
that they can smile when they do not want to."
"And
their eyelashes are long."
"To
hide deception."
He
was not pleased like her father; she saw it, he had turned his face toward the
window. And as she came nearer, swaying like a lily atop its stalk she heard
the harsh, muttered words:
"One
would think she'd feel shy or uncomfortable, but no… oh no… not a bit… all
alike… comes naturally."
There
were books to read; pictures, names to learn; lessons in everything; how to
polish the nails, how to use a fan, even how to walk. How did these days come,
how did they go? What does one do when one is so happy, so breathless?
Sometimes they were a memory, sometimes a dream.
"Look,
Zita, a society girl does not smile so openly; her eyes don't seek one's
so--that reveals your true feelings."
"But
if I am glad and happy and I want to show it?"
"Don't.
If you must show it by smiling, let your eyes be mocking; if you would invite
with your eyes, repulse with your lips."
That
was a memory.
She
was in a great drawing room whose floor was so polished it reflected the myriad
red and green and blue fights above, the arches of flowers and ribbons and
streamers. All the great names of the capital were there, stately ladies in
wonderful gowns who walked so, waved their fans so, who said one thing with
their eyes and another with their lips. And she was among them and every young and
good-looking man wanted to dance with her. They were all so clever and charming
but she answered: "Please, I am tired." For beyond them she had seen
him alone, he whose eyes were dark and brooding and disapproving and she was
waiting for him to take her.
That
was a dream. Sometimes though, she could not tell so easily which was the dream
and which the memory.
If
only those letters would not bother him now, he might be happy and at peace.
True he never answered them, but every time Turong brought him one, he would
still become thoughtful and distracted. Like that time he was teaching her a
dance, a Spanish dance, he said, and had told her to dress accordingly. Her
heavy hair hung in a big, carelessly tied knot that always threatened to come
loose but never did; its dark, deep shadows showing off in startling vividness
how red a rose can be, how like velvet its petals. Her earrings--two circlets
of precious stones, red like the pigeon's blood--almost touched her shoulders.
The heavy Spanish shawl gave her the most trouble--she had nothing to help her
but some pictures and magazines--she could not put it on just as she wanted.
Like this, it revealed her shoulder too much; that way, it hampered the free
movement of the legs. But she had done her best; for hours she had stood before
her mirror and for hours it had told her that she was beautiful, that red lips
and tragic eyes were becoming to her.
She'd
never forget that look on his face when she came out. It was not surprise, joy,
admiration. It was as if he saw somebody there whom he was expecting, for whom
he had waited, prayed.
"Zita!"
It was a cry of recognition.
She
blushed even under her rouge when he took her in his arms and taught her to
step this way, glide so, turn about; she looked half questioningly at her
father for disapproval, but she saw that there was nothing there but admiration
too. Mr. Reteche seemed so serious and so intent that she should learn quickly;
but he did not deceive her, for once she happened to lean close and she felt
how wildly his heart was beating. It frightened her and she drew away, but when
she saw how unconcerned he seemed, as if he did not even know that she was in
his arms, she smiled knowingly and drew close again. Dreamily she closed her
eyes and dimly wondered if his were shut too, whether he was thinking the same
thoughts, breathing the same prayer.
Turong
came up and after his respectful "Good evening" he handed an envelope
to the school teacher. It was large and blue and had a gold design in one
comer; the handwriting was broad, angular, sweeping.
"Thank
you, Turong." His voice was drawling, heavy, the voice of one who has just
awakened. With one movement he tore the unopened envelope slowly,
unconsciously, it seemed to her, to pieces.
"I
thought I had forgotten," he murmured dully.
That
changed the whole evening. His eyes lost their sparkle, his gaze wandered from
time to time. Something powerful and dark had come between them, something
which shut out the light, brought in a chill. The tears came to her eyes for
she felt utterly powerless. When her sight cleared she saw that he was sitting
down and trying to piece the letter together.
"Why
do you tear up a letter if you must put it together again?" rebelliously.
He
looked at her kindly. "Someday, Zita, you will do it too, and then you
will understand."
One
day Turong came from Pauambang and this time he brought a stranger. They knew
at once that he came from where the teacher came--his clothes, his features,
his politeness--and that he had come for the teacher. This one did not speak
their dialect, and as he was led through the dusty, crooked streets, he kept
forever wiping his face, gazing at the wobbly, thatched huts and muttering
short, vehement phrases to himself. Zita heard his knock before Mr. Reteche did
and she knew what he had come for. She must have been as pale as her teacher,
as shaken, as rebellious. And yet the stranger was so cordial; there was
nothing but gladness in his greeting, gladness at meeting an old friend. How
strong he was; even at that moment he did not forget himself, but turned to his
class and dismissed them for the day.
The
door was thick and she did not dare lean against the jamb too much, so
sometimes their voices floated away before they reached her.
"…like
children… making yourselves… so unhappy."
"…happiness?
Her idea of happiness…"
Mr.
Reteche's voice was more low-pitched, hoarse, so that it didn't carry at all.
She shuddered as he laughed, it was that way when he first came.
"She's
been… did not mean… understand."
"…learning
to forget…"
There
were periods when they both became excited and talked fast and hard; she heard
somebody's restless pacing, somebody sitting down heavily.
"I
never realized what she meant to me until I began trying to seek from others
what she would not give me."
She
knew what was coming now, knew it before the stranger asked the question:
"Tomorrow?"
She
fled; she could not wait for the answer.
He
did not sleep that night, she knew he did not, she told herself fiercely. And
it was not only his preparations that kept him awake, she knew it, she knew it.
With the first flicker of light she ran to her mirror. She must not show her
feeling, it was not in good form, she must manage somehow. If her lips
quivered, her eyes must smile, if in her eyes there were tears… She heard her
father go out, but she did not go; although she knew his purpose, she had more
important things to do. Little boys came up to the house and she wiped away
their tears and told them that he was coming back, coming back, soon, soon.
The
minutes flew, she was almost done now; her lips were red and her eyebrows
penciled; the crimson shawl thrown over her shoulders just right. Everything
must be like that day he had first seen her in a Spanish dress. Still he did
not come, he must be bidding farewell now to Father Cesareo; now he was in Doña
Ramona's house; now he was shaking the barber's hand. He would soon be through
and come to her house. She glanced at the mirror and decided that her lips were
not red enough; she put on more color. The rose in her hair had too long a
stem; she tried to trim it with her fingers and a thorn dug deeply into her
flesh.
Who
knows? Perhaps they would soon meet again in the city; she wondered if she
could not wheedle her father into going earlier. But she must know now what
were the words he had wanted to whisper that night under the dama de noche,
what he had wanted to say that day he held her in his arms; other things,
questions whose answers she knew. She smiled. How well she knew them!
The
big house was silent as death; the little village seemed deserted, everybody
had gone to the seashore. Again she looked at the mirror. She was too pale, she
must put on more rouge. She tried to keep from counting the minutes, the
seconds, from getting up and pacing. But she was getting chilly and she must do
it to keep warm.
The
steps creaked. She bit her lips to stifle a wild cry there. The door opened.
"Turong!"
"Mr.
Reteche bade me give you this. He said you would understand."
In
one bound she had reached the open window. But dimly, for the sun was too
bright, or was her sight failing?--she saw a blur of white moving out to sea,
then disappearing behind a point of land so that she could no longer follow it;
and then, clearly against a horizon suddenly drawn out of perspective, "Mr.
Reteche," tall, lean, brooding, looking at her with eyes that told her
somebody had hurt him. It was like that when he first came, and now he was
gone. The tears came freely now. What matter, what matter? There was nobody to
see and criticize her breeding. They came down unchecked and when she tried to
brush them off with her hand, the color came away too from her cheeks, leaving
them bloodless, cold. Sometimes they got into her mouth and they tasted bitter.
Her
hands worked convulsively; there was a sound of tearing paper, once, twice. She
became suddenly aware of what she had done when she looked at the pieces, wet
and brightly stained with uneven streaks of red. Slowly, painfully, she tried
to put the pieces together and as she did so a sob escaped deep from her
breast--a great understanding had come to her.
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